Pride Month
Lesbian
Trans
People of Color
Drag Queen/King
Is AC going Gay?
Recently investors are looking to rebuild a long forgotten Gayborhood right in the heart of Atlantic City New Jersey.
Executive Director of PhillyGayCalendar
Circus of the Stars Review – Week 3
From pregnant nuns to fire eaters, the talent was diverse across the board. But there was never shortage of sharp critiques and tense contestants.
Carman’s Country Kitchen Closes
After an astounding 22 years of serving the public her amazing food, that she cooks her damn self, Carman’s Country Kitchen will unfortunately close on December 16.
Circus of the Stars Review – Week 2
Another amazing week, where there were TWO winners this week!
Brat RockPile Stacks the Talent
Brat Productions’ rock’n’roll Fringe double-header features science fiction, transformation, and soul love.
Circus of the stars 3.0 – Opening Night
Matt O’Neil covers the Opening night of the new weekly talent show – Circus of the Stars, back for its third go.
Creating FAMILY: A Q&A with Filmmaker Patrick Wang
Often when a debut filmmaker takes on too many roles in a production, it takes its toll on the final product. Not so with Patrick Wang, the force behind the acclaimed indie In the Family. For his work as the writer, director, producer, lead actor, and distributor of the sensitive drama – his first feature – Wang has received awards at several film festivals and the film was nominated for an Independent Spirit Award for Best First Feature.
The Artists Women
Look out below, because The Philly Fringe Festival is upon us.
Rent Sing-along Screening at Bryn Mawr Film Institute
First staged in January 1996, Jonathan Larson’s groundbreaking rock opera Rent has established itself as a capstone of the modern musical. Earning three Tony Awards and the Pulitzer Prize for Drama for its original stage production, Rent has taken on a life of its own in America’s pop culture and has garnered a massive cult following of devoted fans dubbed ‘Rent-heads’.
GayFest! Theater Review: The Well of Horniness
Holly Hughes’s hilarious 1983 lesbian film noir comedy holds up well with this new staging, the first Philadelphia performance in over a decade.